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2.12. 2002 Munich Zenith
Manowar
what
did ya' say!!!!!!!!! |
24.11. 2002 Munich Kl.
Elserhalle
The Tubes
WHITE PUNKS ON DOPE |
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"White
Punk On Dope"That was their biggest hit besides "Talk To Ya
Later". And that's what they were and still are. Jesus wept, they
are some kind of nutcases, ain't they?! Even Marylin Manson can hide
behind a confessional in Transylvania, at least what's up to the
visual aspect. The Tubes are highest cathegory in music, no doubt about
that. And the show does not drive away your mind from the actual music
which is partly punkrock, partly rock'n roll and even a few jazz
elements are flowing in. Leant on a theater act in a Shakespeare manner,
Fee Waybill and his mates are celebrating a scandalous aura, and nothing
is left to the dope, excuse me, I mean - the coincident. Everything is
100% calculated. A Tubes-Show was Rocktheatre in the Seventies in eight
chapters from the intro to the grand final and still is. . The madness
stands and falls with the frontman. It starts with a sadomaso
performance, where Fee shows us, that a lamp can also be used as a
sextoy. It leads into a chainsaw massacre and gourmet dinner of
extremeties of a plastic doll. Moving on to a transvestites tango and
the rape of a TV. And the music is still not suffering over all. The
following striptease is right for a record and not even Gina Wild in her
wildest porno days could have done it better. (my god, what would I give
for such a body shape!!! - no not the one of Gina, I mean the figure of
Fee). Last but not least we get reminded about the glam times of the
early seventies with abnormerous highheels and lots of glitter fashon
style. We wake up in the end to be aware that everything ends in a
decent normality. Yes guys, you really missed out on something here. To
build a snowman in the Kongo seems easy compared to work out the whole
thing here mentally. Forget Marylin Manson, forget Rockbitch, forget
Gwar or what so ever. None of them can reach the Tubes. That's Punk,
that's music, - excellent heartbreaking and convincing after more than
25 years - and still 100% Tubes. |
25.Oct. 2002 Munich
Zenith
Motörhead
Normally
this review would consist of one word - LOUD! And it would have been said everything. But we don't wanna be boring, will we?! Motörhead is cult and stand above anything, - almost. Because after the 143rd beerbeaker has landed on stage, even Mr.Kilmister had enough of this, exspecially 'cause the last beaker was filled with liquid too. And is there anything more charming then a beer- smelling, sticky sundayshirt? We didn't have to wait for too long for the reaction by getting a 20 minutes lasting abstinence. The crowd therefore had just intended to rebuild the venue, when Lemmy and his mates returned to continue to break the walls of sound. - "We are here because we wanna play music, and not getting fuckin' beerbeakers on our heads" was his comment before he continued. And it was worthwhile. Well behaved, the Hardcore Fans and quireboys saved their strength only for a straight forward headbanging from this second ahead to songs like "Orgasmatron", "Overkill", " Hammered" and "Ace Of Spades". There wasn't a highlight, but also no deep point, like always at a Motörhead gig. And thanx to thoses action heroes on stage, the optic of the presence didn't change one inch between the first and the last song. I mean it in the real sense of words. Yes, that's Motörhead, and nothing else. We still love you, honestly! PS: Thanx to Metal Hammer Magazine, the cleaning up of the venue afterwards had probably reached a new peak in the Guinessbook of Records, what's up to the time which was needed for this occupation....... |