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I
have missd them already twice, when they had been in town in the past.
But not this time. Jesus wept, every man's heart becomes weak,
watching such a lot femality on stage. And even I am impressed beeing
a woman for myself. Nashville Pussy are four americans and the best
prove, that one woman can produce more power than five men at the same
time. Honestly, I don't over do it. But guitarist Ruyter Suys performs
a show on stage, which get close to a sort of olympic condition. And
she plays like the devil himself. How does she do it? - I ask myself...
But this is not the only bonus of Nashville Pussy, but also the fact,
that this band is a so- called couple project. Husband Blaine
Cartwright, who is not related to the Bonanza family - just kiddin',
seems to be the boss and handles the lead vocals. But the star of the
night is surely his wife. Theresa Orlowski seems like Mother Theresa
compared to her. And Sex, drugs and Rock'n'Roll seems to be the
strategy of Nashville Pussy. Sex what's up to the visual aspect, even
it's only Ruyter's big boobs and her movement on stage. No miniskirt
or highheels, because it'll be a handycap at this kinda show. Drugs -
is a bottle Jim Beam and a bottle spanish Rioja vine. No water -
what's that by the way. And of course the Rock'n'Roll itself, which
boosts in like a bomb and blows off even the most Die Hard fan. But
who cares, the earth is shaking. That's true Rock'n'Roll how it
should be, including every clichee you can image. But it's great.
Not so great was the fact, that Ruyter's hat was stolen by a cheak fan,
climbing on stage, just taking it and jumping off again. And he
wouldn't give it back - this a....hole.
Georgia on my mind, yep, that's where the Nashville Pussys come from.
With the album 'Let ‚em Eat Pussy’ in
1989, the band started off. Originally they wanted to name
themselves after Ted Nugent's bible „Kill Em, & Grill Em“, but
soon later they named themselves what they are named now. With the
song Chicken and Coffee the group even received a Grammy nomination,
but didn't get the award in the end. The year 2000 sees the album
'High As Hell', and the exchange of female bassists starts Corey Parks
is leaving and Tracey Almazons is coming in. They release the CD 'Say
Something Nasty' in 2002. Almazons leaves, and Katie Lynn
Campbell comes in. After that the band loses their record
contract. Campbell goes, Karen Exley comes. And Nashville Pussy sign
to Spitfire Records. 'Get Some' is the third album and the doors are
open again.
One thing is for sure, bassists are exchangable, but never the
guitarist. Because the world hasn't seen something like her. Even I
have not seen in 23 years musicbiz such a woman live on stage beeing
so energetic and playing the guitar so intensively like her. We do
even forget the disasterious soundmix tonight. And over all, beeing so
faszinated by her, we can't seperate one song from the other after the
show. Just two or three tracks got really stuck in our ears, including
a brillant version of Tina Turner's 'Nutbush City Limits'
What I really do like about this Lady, is the fact, that she doesn't
take advantage because of her breasts, which almost fall outta her bra.
But she doesn't care. It's rather the way, she presents herself - hard
rocking, no flirtdisaster or too much sexappeal. This is pure and raw
energy without taking breath. And this energy drives the whole band.
She#s the engine. And without her, it wouldn't be half as valuable and
half as good.
Only one thing, I personally really wanna know!!! What's the brand of
Ryters bra. Because this one here, does hard work to hold everything
up and inside. And it really does.....
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