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Question: how do you measure a real superstar nowadays? Well, I could name you quite a few aspects now,  like for instance - cultstatus, CD sales, sold out venues and of course musical quality. Mind me, exspecially the quality only doesn't always help to be a superstar. But however, I make it a bit more simple and say: no matter how or whatsoever, but a superstar is an artist which gets featured in the headlines on the title page of the local newspaper, when he comes round for a concert or gets reviewed.
It's only a few souls who can manage this including Mr. Clapton. And  I don't talk only about a big city like Munich but for the rest of the whole world, and this for many years. The reputation of beeing one of the biggest soloartists ever is underlined by the fact, that he is also the only musician, who is introducted into the Rock'n'Roll Hall of Fame 3 times. Once it's with the Yardbyrds (1992), once with Cream (1994) and as a soloartist (2000). I don't need to mention all the Grammy Awards he received so far. 
Clapton is a man, who has literatually reached almost everything in life, which can be reached successwise. Therefore he experienced quite a few tragedies, like the death of this son Connor, when he fell from the 53rd floor of a skyscraper and died. Right now Clapton is married to his third wife graphic artist Melia McEnery and has got three more kids with her. 
But back to the present and the fact, that a Clapton gig is almost always sold out, no matter if it's the Waldbühne in Berlin with 22.000 people, or like today the Kings Square in Munich with about 15.000 fans. Let's put it that way, the Kings Square is not made for even more people, exspecially, when it's seated. 


even the photopass shows understatement....

I've got to mention, how easy the cooperation of those superstars with the press is. Though these artists wouldn't even need  promotion anymore. Photopasses ain't a problem for us professionals, and there are no contracts and deals or whatsoever. Maybe because the superstars do not miss this certain selfconfidence anymore, which some bands desperately try to reach. Long talk, short sense, Mr. Clapton probably doesn't care really, whoa and how many are taking pictures as long as they are not dancing around in front of his nose. Which means, we are placed in the back at the sounddesk with all our equipment. 

It's not the early bird catching the worm, but simply the order of the town authorities, who force the event to start as early as 7 p.m. because the concert has to be finished by 10 p.m. No surprise, as the Kings Square is right in the heart of Munich. 

The prologue is performed by Jacob Dylan, who can not deny this similarity to his dad Bob, what's up to the visual aspect and also to the acoustic tune. 

Jesus wept, this boy seems almost like a clon of his dad. Only his voice doesn't sound that unique. By the way, Jacob is the youngest of four kids, bob Dylan had with his ex wife Sarah. Meanwhile Jacob is 39 years old, also married to actress Paige Dylan and has got 4 kids. Withh his band the Wallflowers, whom he has founded in 1989, he had recorded five albums so far and has won 2 grammys for Best Rock vocal performance and best rock song for 'One Headlight'. Since the label deal had run out, the future of the Wallflowers is stil uncertain. For right now, Jacob has signed a solo contract and has produced a record 'Seeing Signs' with Rick Rubin, which has been released past june. This supportlost with Clapton now gives him the chance to introduce his soloworks to a large audiance. - 
My first thought is, - good that the place is seated. Because Jacobs music is quiet with a slight melancholic touch, which meets his alterego, I guess. It's music to listen to, and not party. He introduces his band which is named 'Gold Mountain Rebels'. When introducing himself, he leaves his surname away. 'I'm Jacob' - that's all. 
He is definately an artist, who doesn't want to stand in the shade of his dad all the time. That's why he never has played with him together yet. Only once at one certain festival in 1997 he appeared on the same stage like his dad, only a few hours earlier. 
One thing is for sure, Jacob will never reach the status of his dad, although he will never be able to deny his heritage. 

But he is surely able to work on his indvidual reputation. The Wallflowers were only the beginning. Let's wait and see, what's coming next. I for my part think, that Jacob would probably do better in a smaller venue with a more intimate atmosphere, than here on this big open air festival, where everybody is waiting for Eric Clapton anyway.
So Jacobs show rather gives me a bit of a sleepy feeling. But as I said before, that's maybe due to the surroundings. Over all, he will be on the trek for 10 days here in Europe and then plays some dates with country legend Willie Nelson in the USA. Let's see, when we got this boy over here next time. 

http://www.jakobdylan.com/

During the break a big black cloud places itselves above our heads and poors it's water down on us. Very much to the pleasure of us photographers, who's worst enemy is liquid in every way. But as quick as it has started, it ends again. And when the second part of the concerts goes into start position, the cloud is gonne.
Mr. Clapton comes, plays and wins in advance in a rather unspectacular way. It's not really dark yet, so the limelight doesn't bring the full effects yet. Pretty calm is also the appearance of our superstar here, as he is dressed in baggy jeans, darkblue sweatshirt and a non shave look, he rather reminds me at one of these street musicians, standing under ground in a subway station. Only the hat is missing, where you can throw in the coins. 

But with the first played tune, this impression is blown away immidiately, because Clapton holds what he promises. And that's a very clear sound and a brilliant talent, underlined be lots of understatement. With 'Tell The Truth' he starts an almost 2 hours Blues Session consisting of own compositions but also of Rober Johnson or Rick Derringer tunes.
By the way, in his autobiography Clapton explains his nickname slowhand: "at those times I belonged to a band named 'Casey Jones and the Engineers'. We played also in a club named 'CrawDaddy', who's owner was Georgio Gomelsky. The band usually played cover tunes of 3 minutes length. And we stretched them out up to 6 minutes. I played on very thin strings, because on those you can better pull the acoustic. And it happened often, that such a string ripped off. While I put a new string on, the audiance started clapping. And it was this 'Slow hand clap' which inspired Georgio to name my 'Slowhand' Clapton.  

But back to the Blues tonight which are the roots of this exeptional musician. On stage he is joined by Doyle Bramhall II on the second guitar, who also does some vocals. A very talented guy as well indeed. The same to Chris Stelton on keyboard. He delivers one of the best solos I've heard lately. Apart from these guys, there is also Willie Weeks on bass andAbe Laboriel jr. who came in for Steve Gadd, who is busy with James Taylor right now in the US. And last but not least in the background you find the two pretty singers Michelle John and Sharon White. But to be honest, you wouldn't miss them, if they were not here, because Clapton's voice is very impressing tonight as well. 
The centerpart of the set is played acoustically and while seated. No we can't complain about the music. Everything is 150% perfect. And still there are some facts, which give me mixed feelings. For instance there is this nonexisting sparkle. I've rather got the impression Clapton plays for himself only, not caring about everything around. His announcements are without emotion and a necessary must be. Yeah sure you can't expect a hell of a party, when everybody is seated. But for that the connection between artist and audiance should be even more encouraged. But it doesn't. 


Second weak point is the setlist itselves, which is dominated by Blues classic tunes. No, nothing against Blues, and over all, because whatever Clapton plays is great stuff. But many fans have asked themselves later on: where was ‚Lay Down Sally’, - ‚Tears In Heaven’ or ‚I Shot The Sheriff’, ‚After Midnight’ and ‚Pretending’. these songs are standard, which actually always belong to a Clapton gig. Only the hits  ‚Wonderful Tonight’, ‚Layla’ and ‚Cocaine’ made it on the setlist. Then he just walks off...
There is one encore with 'Crossroads'. Then he walks off again without any good bye. Dun' know, whether this is due to ignorance or just the fact, that he's not a big friend of waving good bye, and just wants to get away from the spot. In any case it leaves a strange feeling  behind on us.
In the end, all I can say is, it has been a musical brilliant event, with only some recognition, but without any soul.... 
http://www.ericclapton.com/